Is Noam Chomsky Wrong About Propaganda?
Table of Contents
Note: This essay is incomplete and a work in progress. Sections may be missing, arguments may be disjointed.
Noam Chomsky is an absolutely titanic figure on the American left. For most of the Cold War, he served as the premier public intellectual for anyone of a more radical disposition. In the modern day, the figure of the public intellectual carries less importance – which might explain why it’s difficult to really point to anyone who has definitively carried his torch. Sure, one can pick out current-day left-wing academics and media figures, but there’s none which have really struck the balance he has. This was a man whose ideas had wide-reach among the activist base while also having enough rigor to earn academic respect. His talent came in his ability to apply his thought to the cycle of current events while also still providing meaningful theoretical innovations: he could speak at a common level without blowing hot air.
Perhaps this fact helps to explain why he continues to have such an enduring legacy, even decades after their peak. Out of all the ideas he espoused, his most enduring legacy seems to be – not his theories of socialist governance or linguistics – but his propaganda model. The amount of people I have seen continue to invoke Manufacturing Consent to this day (sometimes without even reading it) is quite incredible. Chomsky gets flak for a lot of things, ranging from his libertarianism to his views on foreign policy. But, the one thing I will never hear anyone take a shot at is the propaganda model itself.
It’s interesting, because from the time I spent in these spaces, I never got the sense it was because the arguments were so airtight they didn’t warrant questioning. Instead, it seemed moreso like the questions just never got raised: does the model actually hold up to scrutiny? Has anyone actually picked it apart and judged it on its own merits, as opposed to just accepting that it aligns with their ideological priors?
Chomsky’s Propaganda Model, Restated
The purpose of a model is to explain how a system functions. A good model is able to explain how things happen and identify which components are most essential to understanding the system and its mechanics. For example, the atomic model helps us to understand how matter works. By recognizing the importance of protons and electrons, you can piece together why certain interactions lead to specific chemical reactions.
Chomsky’s task in Manufacturing Consent is to develop a model of propaganda in capitalist democracies: highlighting the most essential parts and providing an explanation of why mass media works the way it does. When judging his model, these are the metrics we have to consider it by.
The first section of the book is dedicated to laying out the model itself. Right from the beginning, he sums up the core of his argument quite succinctly: if you want to understand how propaganda works, you have to look at who is producing and funding it.
A propaganda model focuses on this inequality of wealth and power and its multilevel effects on mass-media interests and choices. It traces the routes by which money and power are able to filter out the news fit to print, marginalize dissent, and allow the government and dominant private interests to get their messages across to the public.1
The book argues that because of these controlling interests, even in a “free market” the information has to pass through various “filters” prior to publication2:
- The size, concentrated ownership, owner wealth, and profit orientation of the dominant mass-media firms.
- Advertising as the primary income source of the mass media.
- The reliance of the media on information provided by government, business, and “experts” funded and approved by these primary sources and agents of power.
- “Flak” as a means of disciplining the media.
- “Anticommunism” as a national religion and control mechanism.
Or, in other words, he’s saying media always reflects the interests of its owners. Whether the owners are Stalinist bureaucrats or corporate shareholders is besides the point. By owning the platform, they get control over the editorial direction and that allows them to frame political discourse in a myriad of ways.
… the “societal purpose” of the media is to inculcate and defend the economic, social, and political agenda of privileged groups that dominate the domestic society and the state. The media serve this purpose in many ways: through selection of topics, distribution of concerns, framing of issues, filtering of information, emphasis and tone, and by keeping debate within the bounds of acceptable premises.3
Because of how highly verticalized mass media is, smaller outlets routinely get outcompeted, displaced, and eliminated from the “marketplace of ideas”. The marketplace here is not metaphorical, but literal as the economics of mass reach take precedence over quality of ideas in determining who does or doesn’t survive. Just as capital has a tendency to concentrate over time, so the media landscape (which is a business in the end) gradually finds itself in the hands of a select few4.
Corporate mergers, government relationships (which incur lobbying expenses), advertising models (which prefer high-income audiences), and the outsourcing of fact-finding to “official sources” (cheaper than investigative reporting) all work together to create an environment in which the media landscape is disproportionately dominated by the interests of the wealthy and for-profit enterprises. This isn’t a conspiracy, but systemic; the effects are subtle enough that the propagandists are able to convince themselves they actually are being objective.
The elite domination of the media and marginalization of dissidents that results from the operation of these filters occurs so naturally that media news people, frequently operating with complete integrity and goodwill, are able to convince themselves that they choose and interpret the news “objectively” and on the basis of professional news values. Within the limits of the filter constraints they often are objective; the constraints are so powerful, and are built into the system in such a fundamental way, that alternative bases of news choices are hardly imaginable.5
The working class has neither the wealth to fund their own operations, the disposable income to be worthy consumers, or the elite status to schmooze with politicians. High-quality, investigative reporting is expensive to produce and incurs the risk of legal and political liability. While speech may be legally “free” in America under the First Amendment, not all voices are equal: those with the most money can afford the largest megaphones.
Chomsky takes it a step further to argue that this class interest will always result in a specific ideological bias: anticommunism 6.
“Flak” refers to negative responses to a media statement or program. It may take the form of letters, telegrams, phone calls, petitions, lawsuits, speeches and bills before Congress, and other modes of complaint, threat, and punitive action. It may be organized centrally or locally, or it may consist of the entirely independent actions of individuals… During the McCarthy years, many advertisers and radio and television stations were effectively coerced into quiescence and blacklisting of employees by the threats of determined Red hunters to boycott products.7
Because of “flak”, he expects right-wing audiences (who are supposed to be aligned with the interests of the wealthy) to have the main sway in dictating what positions outlets are allowed to take. Whatever liberal voices in media that exist are constantly on the defensive, having to routinely distance themselves from and condemn communism in order to survive McCarthyist witch-hunts8.
‘Manufacturing Consent’ in the Modern Day
That’s Chomsky’s propaganda model in summary, and – as you can tell – it makes a lot of very bold claims. But, to his credit, he does back it up with the proper reciepts:
- It is empirically true that (at the time), over half of the country’s newspapers were owned by only a handful of companies9.
- It is true that the Pentagon poured an unparalleled amount of money per year on its own PR, creating a flood of newspapers, radio broadcasts, and press conferences that drove the public discourse10.
- The press’ reaction to Watergate versus the FBI’s illegal activities against socialist parties did highlight a double-standard as to what is or isn’t considered a “real scandal”11.
And even today, there are many incidents people will point to as vindication of Chomsky’s theory:
- Nearly half of our country’s news stations (as of 2018) have steadily been bought out by the Sinclair Broadcast Group, placing all these seemingly separate, local stations in the hands of a single owner with a common agenda.
- During the pandemic-era, a retail lobbying group grossly misrepresented the prevalence of shoplifting, and the press unquestioningly ran with this story, manufacturing a narrative out of thin air. Politicians found themselves under immense pressure to dedicate even more resources to hunting down shoplifters and funneling tax dollars as “investments” into these very same companies. All of this, only for the lobbyists to eventually retract the claims as entirely false years after the dust had already settled.
- One might even see echoes of “flak” in the fallout FOX News faced following their call of the 2020 election: facing backlash from their right-wing viewers, hosts turned course and started boosting election fraud conspiracies they did not believe in in order to appease the mob.
- Reporting by Semafor has shown that various political, media, and business elites have been known to congregate in groupchats to workshop narratives that they all boost simultaneously to try and steer news cycles.
- Executives who own various newspapers have been known to interfere with the papers’ topics of coverage and endorsements, which has raised concerns regarding personal conflicts of interest.
- Facing a wave of scandals and public backlash for their shady dealings, Facebook began pushing the “metaverse” as a PR stunt. Tech media, uncritically parroting “offical” company sources, helped manufacture a hype cycle for the company out of thin air.
But what’s conspicuously missing from both this list and Chomsky’s book is a real investigation into the impact propaganda has on people. There’s all sorts of evidence pointed to in order to demonstrate that, yes, systemic filters do in fact exist which generate an unconscious (or in some cases, conscious) bias in a supposedly free media ecosystem. But, how well is it actually working? It’s the claims surrounding the response of audiences where Chomsky leaves a lot presumed.
Luckily, Chomsky leaves enough latitude in his theory that it is actually relatively falsifiable. In his theory, it’s not just outright communist positions that are continually under attack but also broadly progressive ones. Higher taxes, regulation, relaxed criminal justice policies, foreign policy positions, all of these (according to him) can pose threats to elite interests. We can use current events as a quick barometer to see how well the theory has aged.
Chomsky claims flak is an inherently right-wing phenomenon: yet when the Washington Post was bought out by billionaire Jeff Bezos and had its editorial policy altered in a fashion suspected to suit his personal interests, the outlet faced an unprecedented financial backlash from critics on the left12.
Similarly, in the recent NYC mayoral race, heavyweight papers such as the New York Times attempted to pull out every stop to influence coverage towards their preferred outcome. But ultimately, it didn’t matter: the candidate whose platform (by Chomsky’s metrics) would run counter to the interests of the local elites won by a landslide.
In Australia – a media environment overwhelmingly dominated by magnates such as Rupert Murdoch and Peter Costello – the press has been known to line up behind the Liberal Party (known for favoring business interests). The same formula was deployed for the most recent election, but it ended up not mattering: the Labor Party (backed by unions and despised by the press class) won in a landslide, by a margin far larger than any pollster or pundit would’ve ventured to predict.
This leads to what is one of the big ironies of Manufacturing Consent. The “propaganda model” in the book isn’t actually a propaganda model: it’s a media model at best. This distinction isn’t just semantic: ‘propaganda’ is a fundamentally generic term. When we commonly use it, we do so with the expectation that this is something which can apply to a litany of different countries and time periods.
What Chomsky expertly does with the book is distill down a very specific form of media organization that peaked in the mid-late 20th century and how it produced information. But in order for such a model to succeed, a certain set of environmental conditions had to be met. Chomsky presents this as the natural evolution of media under capitalism, but this just raises the question about whether or not he’s taking too much for granted.
Less than forty years after the publication of his book, capitalism is as strong as ever, but a lot of those preconditions have started to erode:
- A strong national consensus. Without consensus, any pretense to objectivity is impossible. The rise of siloed media environments via personalized algorithms, increased political polarization, erosion of demographic homogeneity over the past decades, and decreased religious/civic involvement all create both a fracturing of narratives and information streams.
- The existence of ‘high-trust’ technologies. Photo, audio, and video technologies defined journalism in the 20th century. The silver bullet in the Watergate case was a tape recording of Nixon admitting to everything. Photojournalists and documentarians framed the images that came to define the century’s most pivotal moments. These technologies acted as a social anchor for “truth” and helped bestow an air of legitimacy among those broadcasting it. The increasing reliance of newsrooms on 24/7 on-site punditry and the rise of new technologies which can falsify information has eroded this foundation.
- A tight grip on who is capable of producing information. Only a handful of television channels end up recieving a license or earning themselves a spot in cable bundles. The internet has undeniably changed this. In theory13, individuals are able to use social media platforms as a cheap way to publish and curate personal audiences. Video equipment is no longer considered a speciality device, but embedded into every phone. Subscription models open up a new revenue potential revenue stream for independent outlets.
What journalists often bemoan as the “post-truth era” is more precisely is the era in which their specific models of producing and understanding “truths” is becoming outmoded. Data shows the press is now the most distrusted institution in American society. Viewership across both print and television media continues to tumble14.
Manufacturing Consent is a book of intentions: why billionaires buy news outlets only to run them at a loss and why the press converges on certain narratives. What Chomsky nails with the book is describing how elites see and understand their own levers of power. The problem is, these elites are morons. They routinely overestimate the power of their investments and view the world entirely through the lens of money. They burn through record-setting amounts trying to sway elections, even when the data overwhelmingly points to the ineffectiveness of political advertising. Despite Chomsky basing his model on a quasi-Marxist foundation, his perspective actually ends up taking the bourgeois tendency for granted.
Elites tend to imagine themselves as being above propaganda, as pulling the strings to guide the masses towards their intended outcomes. But, what they don’t often realize is how they themselves are often times also victims of propaganda.
Returning back to the aforementioned Semafor article, even as these elites congregated to sway an election, the progression of the chat reflected a radicalization on part of said elites. What originally started as a debate club soon became hostile to disagreement as the founders themselves started to become captured by their own propaganda:
The tone was jesting, but “Marc radicalized over time,” Hanania recalled. Hanania said he found himself increasingly alienated from the group and the shift toward partisan pro-Trump politics, and he came to see the chat he’d established as a “vehicle for groupthink… Hanania argued with the other members “about whether it’s a good idea to buy into Trump’s election denial stuff. I’d say, ‘That’s not true and that actually matters.’ I got the sense these guys didn’t want to hear it,” he said. “There’s an idea that you don’t criticize, because what really matters is defeating the left.” He left the group in June of 2023.
[SOME UNPOLISHED NOTES TO INTEGRATE]
- The ideological model Chomsky presents falls apart because there's no real guarantee of a connection between the working class and "left-wing ideology".
- Chomsky has an arbitrary line between what debates/disputes are of real substance, and what is just superficial distractions peddled by the press.
- Chomsky believes a key component of propaganda is the ability to readily change who is or isn't a public enemy. Is this actually the case?
The Myth of ‘Counter-Propaganda’ (unfinished)
Another basic truth about models is that they typically tend to be attached to some sort of practical purpose: black boxes help engineers focus on datastreams and weather forecasts help us decide whether or not we’re carrying an umbrella. The purpose of a propaganda model – one would assume then – would be to help us identify whether or not we’re being manipulated. Just as how someone who studies the weather should come out with a dry head, ideally someone who understands propaganda should have a better grasp on the truth.
But for Chomsky, his model seems to be more concerned with teaching you to identify propagandists. Not whether or not you’re being manipulated, but who is manipulating you and what it would take to stop them. This gives the model a distinctly militant edge – it’s not just meant to describe a phenomenon but to push you to act in a certain way.
[section incomplete here, to fill in later]
[SOME UNPOLISHED NOTES TO INTEGRATE]
- Chomsky posits the solution as the establishment of independent outlets which act outside of corporate/imperialist influence.
- Chomsky's model exists to legitimize the concept of 'counter-propaganda'.
- Chomsky has not been above bending the truth, he does this extensively in his coverage of Cambodia.
- The propaganda model is written not with a descriptive purpose, but with an intention to spur action.
An Alternative: Ellul’s Propaganda Model (to-do)
[section incomplete here, to fill in later]
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Manufacturing Consent: The Political Economy of the Mass Media by Edward S. Herman & Noam Chomsky, p. 1 ↩︎
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“The raw material of news must pass through successive filters, leaving only the cleansed residue fit to print. They fix the premises of discourse and interpretation, and the definition of what is newsworthy in the first place, and they explain the basis and operations of what amount to propaganda campaigns.” (Manufacturing Consent, 2) ↩︎
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Manufacturing Consent, 298 ↩︎
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“One important reason for this was the rise in scale of newspaper enterprise and the associated increase in capital costs from the midnineteenth century onward, which was based on technological improvements along with the owners’ increased stress on reaching large audiences. The expansion of the free market was accompanied by an “industrialization of the press.” The total cost of establishing a national weekly on a profitable basis in 1837 was under a thousand pounds, with a break-even circulation of 6,200 copies. By 1867) the estimated start-up cost of a new London daily was 50,000 pounds. The Sunday Express, launched in 1918, spent over two million pounds before it broke even with a circulation of over 250,000? Similar processes were at work in the United States, where the start-up cost of a new paper in New York City in 1851 was 569,000 dollars; the public sale of the St. Louis Democrat in 1872 yielded 456000 dollars and city newspapers were selling at from 6 to 18 million dollars in the 1920s. The cost of machinery alone, of even very small newspapers, has for many decades run into the hundreds of thousands of dollars; in 1945 it could be said that “Even small-newspaper publishing is big business … [and] is no longer a trade one takes up lightly even if he has substantial cash-or takes up at all if he doesn’t.” (Manufacturing Consent, 4) ↩︎
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Manufacturing Consent, 2 ↩︎
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“A final filter is the ideology of anticommunism. Communism as the ultimate evil has always been the specter haunting property owners, as it threatens the very root of their class position and superior status. The Soviet, Chinese, and Cuban revolutions were traumas to Western elites, and the ongoing conflicts and the well-publicized abuses of Communist· states have contributed to elevating opposition to communism to a first principle of Western ideology and politics. This ideology helps mobilize the populace against an enemy, and because the concept is fuzzy it can be used against anybody advocating policies that threaten property interests or support accommodation with Communist states and radicalism. It therefore helps fragment the left and labor movements and serves as a political-control mechanism. If the triumph of communism is the worst imaginable result, the support of fascism abroad is justified as a lesser evil.” (Manufacturing Consent, 29) ↩︎
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Manufacturing Consent, 26 ↩︎
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“Liberals at home, often accused of being pro-Communist or insufficiently anti-Communist, are kept continuously on the defensive in a cultural milieu in which anticommunism is the dominant religion. If they allow communism, or something that can be labeled communism, to triumph in the provinces while they are in office, the political costs are heavy. Most of them have fully internalized the religion anyway, but they are all under great pressure to demonstrate their anti-Communist credentials. This causes them to behave very much like reactionaries.” (Manufacturing Consent, 29) ↩︎
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“Ben Bagdikian stresses the fact that despite the large media numbers, the twenty-nine largest media systems account for over half of the output of newspapers, and most of the sales and audiences in magazines, broadcasting, books, and movies. He contends that these “constitute a new Private Ministry of Information and Culture” that can set the national agenda.” (Manufacturing Consent, 4) ↩︎
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“The Pentagon, for example, has a public-information service that involves many thousands of employees, spending hundreds of millions of dollars every year and dwarfing not only the public-information resources of any dissenting individual or group but the aggregate of such groups. In 1979 and 1980, during a brief interlude of relative openness (since closed down), the U.S. Air Force revealed that its public-information outreach included the following: 140 newspapers, 690000 copies per week – Airman magazine, monthly circulation: 125000 – 34 radio and 17 TV stations, primarily overseas – 45000 headquarters and unit news releases – 615000 hometown news releases – 6600 interviews with news media – 3200 news conferences – 500 news media orientation flights – 50 meetings with editorial boards – 11000 speeches.” (Manufacturing Consent, 19-20) ↩︎
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“The major scandal of Watergate as portrayed in the mainstream press was that the Nixon administration sent a collection of petty criminals to break into the Democratic party headquarters, for reasons that remain obscure. The Democratic party represents powerful domestic interests, solidly based in the business community. Nixon’s actions were therefore a scandal. The Socialist Workers party, a legal political party, represents no powerful interests. Therefore, there was no scandal when it was revealed, just as passions over Watergate reached their zenith, that the FBI had been disrupting its activities by illegal break-ins and other measures for a decade, a violation of democratic principle far more extensive and serious than anything charged during the Watergate hearings.” (Manufacturing Consent, 299) ↩︎
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Now, one could argue this backlash primarily came from liberals rather than full-on socialists and that Chomsky’s model draws a distinction between the two factions. To which I’d respond that the book’s section on flak still explicitly states that liberal perspectives in media are supposedly permanently on the defensive. ↩︎
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The question of whether or not the internet actually represents a decentralization of media control long-term is an incredibly complicated one. On a basic level, yes, the sheer volume of people able to create, find, and publish information to social media often can overwhelm traditional media filters with brute force. A great example of this is Jordan Shanks, a pro-Labor YouTuber who has had a massively outsized impact on the Australian political landscape, despite making enemies with the entire nation’s press class.
And often times, narratives which originate from random social media posters (such as the Springfield dog-eating hoax or unsavory rumors surrounding JD Vance) are quickly picked up by news also active in these spaces who then go and funnel it into mainstream political discourse. The proliferation of handheld cameras has created a litany of news cycles surrounding police abuse (Treyvon Martin, George Floyd, Breanna Taylor, etc.) that otherwise would’ve been brushed under the rug if only official sources could be pulled from. On the other hand, social media algorithms tend to favor boosting stories from established outlets: they tend to be the ones most equipped to game the algorithms, produce content at an industrial race, to benefit the most from anti-misinformation filters, be advertiser-friendly, and have pre-existing audiences they can bring across platforms. In situations where these press outlets “set the discourse”, lower-level posters simply act as “signal-repeaters” for these takes and simply echo established narratives rather than compete with them. ↩︎ -
The New York Times has taken to propping up their business model by relying on their collections of recipes and games to motivate readers to subscribe. ↩︎
